Thelma Camacho~~a dreadfully pretty little girl, with a classically trained voice, who made Kenny Rogers and The First Edition~~who also, having naively misunderstood the deadly poisonous drug called ambition, was brushed off the stage into obscurity, by that very, heartless, drug.
March 7, 2013 • Inland Empire Community Newspapers
Thelma Camacho was there for Kenny Rogers &
It was 19-year-old Thelma Camacho who bravely took the stage for Kenny Rogers and the First Edition in their first live television performance in 1967 on the Smothers Brothers Comedy Show.
With Kenny Rogers standing in the background playing bass guitar and singing harmony, the young Camacho stood solo as she belted out the song,
“I Get A Funny Feeling.”
It was a very difficult song, more of a Julie Andrews number opposed to the psychedelic sound the viewing audience expected.
The fact of the matter was that Camacho was the only member of The First Edition who was equipped to stand alone before millions of television viewers. Camacho spent four years with Kenny Rogers before Kenny Rogers was Kenny Rogers.
He financed The First Edition when it split from the New Christy Minstrels, beginning his own career in the entertainment industry that eventually rivaled the best.
Although going on to earn a successful life for herself and family, Camacho would not be around for Rogers’ greater fame and fortune. Talking by phone from her jewelry manufacturing headquarters in Chula Vista, Camacho said she still owns one-fourth of The First Edition. She penned about six of the group’s songs but said she could not comment further.
Camacho appeared on the first three albums by The First Edition.
Camacho was not included with other members of The First Edition in a 2012 television tribute to Kenny Rogers for his 50 years in the recording business.
Camacho said she “probably will not attend” a Kenny Rogers show near her home on March 21, when Rogers appears at the Belly Up Tavern in Solana Beach.
She last saw Rogers 22-years ago when he visited she and her husband, executive producer Robert Ivie when they lived in Dusseldorf, Germany.
“Did I think Kenny Rogers would grow into such a superstar. Yes!” said Camacho.
“When we started The First Edition, Kenny was 30 and the rest of us (Mike Settle, Terry Williams) were much younger. We were all to share the lead vocals. It was not to be just Kenny.
But Kenny was ambitious. Pushy. A good talker. He was the promoter and we were young and didn’t realize the things that he knew. We thought, OK, if he wants to do all the talking. Let him talk. Hey, I was actually getting paid to sing,” said Camacho.
Her years spent as a opera singer showed in her polished presentations.
At 14, Camacho was already fronting the San Diego Civic Light Opera and by 16, she was singing in Italian on numbers written by Mozart, Verdi and Bellini. Since she was 3, her parents groomed her to tackle the operatic classics, not the classics of Janis Joplin or Mick Jagger.
“Needless to say, my parents were terribly disappointed when I joined a pop band.
Especially since I turned down a scholarship to study opera in Milan,” said Camacho.
With Kenny Rogers and The First Edition, Camacho was able to fulfill her childhood dream of appearing on the Ed Sullivan Show, once the top TV variety show in the world.
She also appeared with the group on the shows of Red Skelton, Johnny Cash, Andy Williams and Mike Douglas.
But with all the adulation and popularity of The First Edition, Camacho started feeling the stage shrinking. Rogers needed more room.
She knew she was doomed immediately after the 1968 Ed Sullivan Show date.
“Ed Sullivan introduced us as Thelma and the Boys and then Sullivan asked me to sing a solo. The curtain dropped behind me and the band was behind the curtain. I knew I was through,” explained Camacho.
Camacho said she never was late to gigs or missed rehearsals as claimed by former band member Mickey Jones, who said that Camacho was fired. In his book, With Luck or Something Like It, Rogers wrote that Camacho was let go because she had fallen in love, was tired of touring and perhaps didn’t agree with certain decisions.
Rogers said the split “didn’t come as a shock or disappointment to her.”
Camacho responded that she did not agree with Roger’s explanation. “I have no animosity or hatred. I got married and had a young son. I didn’t want that lifestyle.
It’s cut throat and full of back stabbing.
I received enormous adulation from The First Edition.
I always wish Kenny well. We had our differences but I think all members of bands do.”
She later moved to Europe where she and Ivie collaborated on commercials, sound tracks, and videos.
She designed fashion and jewelry for Bavaria Film Studios in Germany. Thelma Camacho Jewelry is currently distributed in Spain, Beverly Hills and throughout San Diego County.
Her cousin is currently compiling 60 years worth of her songs on CD.
She said that she has not performed since 1991, but did not rule out singing smooth jazz in the future.
Camacho was also signed to Casablanca Records in 1980-81 at the same time as Donna Summer. Camacho admits that she has forgotten a lot of her past.
If Camacho had a downside, it was that she was too finished for the pop music scene. As a folk singer she was on par with Joan Baez and much smoother than Janis Joplin or Grace Slick.
While the 74-year-old Kenny Rogers reached unquestioned milestones, it’s still not too late for an operatically trained singer in her mid60’s.
PHOTO COURTESY/REPRISE RECORDS
Kenny Rogers and The First Edition in 1968. From (L) Mike Settle, Terry Williams, Thelma Camacho, and Kenny Rogers.
How short the list one could compile of those of whom it can be said that fame and money did not deprave?
IL MIGLIOR FABBRO
At Washington, capital city of the terminally self-absorbed, mortal man holds to fleeting, feeble and fallible opinion, God immutable fact.
In sunshine and in shadow~~I hold tight to the Republican view of time and money~~I write night and day~~yet~~while impecunious~~I am vastly overpaid~~in that taking pay to do what I love is unfair~~to my employer~~in a fair system~~under such circumstances~~I should pay him~~not he me~~I am far, far too old a man to be sexually confused~~praise Jesus~~but I am yet young enough to be politically confused~~is anyone not~~in an absolute sense~~I am a Catholic Royalist~~in a practical sense~~I am a Classical Liberal~~a Gaullist~~a Bonapartist~~an American Nationalist Republican~~in either sense~~my head is soon for the chopping block~~to hasten my interlude with Madame La Guillotine~~I write without fear~and without favor of~any man.
At Washington, capital city of the terminally self-absorbed, mortal man holds to fleeting, feeble and fallible opinion, God immutable fact.
In sunshine and in shadow~~I hold tight to the Republican view of time and money~~I write night and day~~yet~~while impecunious~~I am vastly overpaid~~in that taking pay to do what I love is unfair~~to my employer~~in a fair system~~under such circumstances~~I should pay him~~not he me~~I am far, far too old a man to be sexually confused~~praise Jesus~~but I am yet young enough to be politically confused~~is anyone not~~in an absolute sense~~I am a Catholic Royalist~~in a practical sense~~I am a Classical Liberal~~a Gaullist~~a Bonapartist~~an American Nationalist Republican~~in either sense~~my head is soon for the chopping block~~to hasten my interlude with Madame La Guillotine~~I write without fear~and without favor of~any man.
~~
Finis Origine Pendet…
The escape commences…
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September, 1957
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Saint Jane Frances de Chantal Catholic parochial school, called, by anyone of any background, simply: “Chan~al,” a place where, of an autumn day in 1957, school, for me, began and ended in the first convening of the first grade in which a tiny nun, one Sister Dom Bosco, appeared before me, just behind the window appearing at far left of this photograph, and piped out this: “I may be small, but so then, is the Atom Bomb.”
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My determination to escape school commenced immediately on hearing about this Atom Bomb business and took 16 dicey and arduous years to finally accomplish.~~
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Non Sibi
The declaration that:
“I am here to save mankind,” means that:
“I am here to rule mankind.”
The escape continues…
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September, 1966
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The Cathedral Latin School
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Finis Origine Pendet
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Κύριε ἐλέησον
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Rejoice and Glad!!
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Amen~~
~The Original Angry Bird~~The Catholic University of America Screaming Red Cardinal Mascot~~
~~EX LIBRIS~~
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THEOS EK MĒCHANĒS
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18th Juin, Thursday, Anno Domini Nostri Iesu Christi, the 2020th
“Jean-Marie Le Pen is a friend. He is dangerous for the political set because he’s the only one who’s sincere. He says out loud what many people think deep down, and what the politicians refrain from saying because they are either too demagogic or too chicken. Le Pen, with all his faults and qualities, is probably the only one who thinks about the interests of France before his own.”~~
Alain Delon~~Actor
John Daniel Begg raises cotton.
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In the Old South, the real Southland, we had a charming expression, when asked what an idle man did for a living:
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“Oh, he raises cotton.”
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Which meant, he did absolutely nothing at all, as cotton, “the white gold,” raises herself.
CONCEPT OF THE CATHOLIC AND ROYAL ARMY OF AMERICA (CRAA)
THE CATHOLIC UNIVERSITY OF AMERICA
Seal of The Catholic University of America
Motto:
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Deus Lux Mea Est
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Acta Est Fabula
The escape concludes…
The Catholic University Of America, Washington, The Federal District of Columbia.
1976, Anno Domini Nostri Iesu Christi.
“Who first seduc'd them to that foul revolt?
Th' infernal Serpent; he it was, whose guile
Stird up with Envy and Revenge, deceiv'd
The Mother of All Mankind"
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Paradise Lost
Book One
Verse 35
Our Mr Milton
https://johndanielbegg.com/2016/03/09/the-infernal-serpent-he-it-was-whose-guile--stirred-up-with-envy-and-revenge-deceived-the-mother-of-mankind
How short the list one could compile of those of whom it can be said that fame and money did not deprave?
Acta Est Fabula.
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Deus Vult.
Ne plus ultra
Our Ubiquitous Presence
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Our Queen
Our Queen now 68 years on
~~
Simply the best President we could ever hope to have.